Those of you who know my tastes in music, know that I pretty much like everything from Classical to Country, Big Band to Big Hair and Classic Rock to Christian. About the only stuff I never liked is hip hop/rap.
I grew up listening to Big Band and early Jazz, including Louis Armstrong. This music transcends time and generations, and there’s something celebratory and happy about the music of our grandparents’ and parents’ generations.
As I was looking around reading (and hoping to find something interesting to post here at the HB), I came upon this article and I am so glad I did. There is much about Louis Armstrong I never knew, and while I’ve read biographies about some incredible people throughout history, I think the SJW’s would do well to study some of the down to earth, but brilliant people of our history and learn that great things come not from government programs and victim status, but from hard work, dedication to their dreams and common sense.
I hope folks enjoy this article as much as I have.
This post Louis Armstrong Lived the American Dream—And Never Apologized For It was originally published on Intellectual Takeout by Michael DeSapio.
Jazz musician Louis Armstrong claimed he was born on the Fourth of July. Although subsequent research has shown that he was actually born on August 4, Armstrong is no less an American icon, a performer who reconciled people through the joy of his music. What is not so widely known is that this great entertainer espoused an ethic of self-reliance and personal responsibility.
As Terry Teachout explains in his excellent Armstrong biography Pops, Armstrong grew up in a poor section of New Orleans—a world of “gamblers, hustlers, thieves, prostitutes, and many children.” Born out of wedlock to a teenaged mother and a father who abandoned the family, Armstrong grew to prize self-discipline, self-improvement and self-reliance. “I was determined to play my horn against all odds, and I had to sacrifice a whole lot of pleasure to do so.” Armstrong expressed contempt those who demanded “pity” for their underprivileged status or used that status as an excuse for bad behavior, calling them “weak-minded.” “The Lord will help the poor,” he once declared, “but not the poor lazy.”
Such statements did not endear him to everyone. Nor did his exuberant, vaudevillian stage persona (which some thought reminiscent of minstrel shows), his willingness to play for segregated audiences, and a perceived failure to speak out on racial issues. These criticisms were quelled in 1957 when Armstrong bravely called out the U.S. government for its slowness to act in the high school integration crisis in Little Rock, Arkansas. Still, throughout much of his career Armstrong had to endure the taunts of those who called him an “Uncle Tom” and a sell-out—taunts which, he believed, came from people who resented his success.
Armstrong didn’t much care what people said about him and concentrated on dispensing joy through his trumpet playing and singing. As a consequence he earned admiration across American society and around the globe, joining the races together both onstage—he had an integrated jazz band at a time when that was rare—and in the public.
While Armstrong became a millionaire and could have lived anywhere in the world, he and his wife Lucille chose to live in a humble working-class neighborhood in Queens, New York. The apartment—now the Louis Armstrong House Museum—bore witness to Armstrong’s aspirations toward the finer things in life, with golden bathroom fixtures and exotic art pieces. But Armstrong defined himself not by his wealth but by his work.
Duke Ellington said of him after his death that he “was born poor, died rich, and never hurt anyone along the way.” Teachout places Armstrong in the tradition of Booker T. Washington, the educator who urged his fellow blacks to “cast down your bucket where you are” and reap whatever benefits of society their talents were capable of. Perhaps the reason Armstrong was misunderstood by later generations is that they had moved away from this positive, work-oriented ethic toward one of grievance-mongering and victimhood. Armstrong’s life story shows us which attitude led to greater contentment. “I had a beautiful life,” he reflected; “I didn’t wish for anything I couldn’t get, and I got pretty near everything I wanted because I worked for it.”
Louis Armstrong deserves to be honored not only for his musical talent but for his courage to espouse an unfashionable personal creed. His life story also reminds us that art and pleasure are more precious than politics. While Armstrong could have beat the drums of political protest, he thought it more effective to smile and let the music play on.
[Image credit: By Herbert Behrens / Anefo (Nationaal Archief) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons]